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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description></description><title>Punctuate This!</title><generator>Tumblr (3.0; @punctuatethis)</generator><link>http://pleasepunctuatethis.com/</link><item><title>Photo</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_m4par40gFi1qbjzleo1_400.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;</description><link>http://pleasepunctuatethis.com/post/23886994085</link><guid>http://pleasepunctuatethis.com/post/23886994085</guid><pubDate>Sun, 27 May 2012 14:37:52 -0700</pubDate></item><item><title>Collapse</title><description>&lt;p&gt;In the future I will not try to be happy. Sadness is already too much of a burden. I cannot add loss to it again.&lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/23094990961</link><guid>http://pleasepunctuatethis.com/post/23094990961</guid><pubDate>Tue, 15 May 2012 01:11:44 -0700</pubDate></item><item><title>I just discovered that I have a large number of messages in some sort of Tumblr-inbox. I cannot,...</title><description>&lt;p&gt;I just discovered that I have a large number of messages in some sort of Tumblr-inbox. I cannot, however, seem to reply to any of them. Tumblr claims that I do not have access to the ability to reply to my own messages. &lt;/p&gt;
&lt;p&gt;Please accept my apologies and please send me an email. I will respond.&lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/22708118571</link><guid>http://pleasepunctuatethis.com/post/22708118571</guid><pubDate>Wed, 09 May 2012 01:55:34 -0700</pubDate></item><item><title>Peace by Pieces</title><description>&lt;p&gt;It struck him as somewhat maudlin, but he wished to himself that he had never written anything. He knew that she was out there, somewhere, disposing of the things that were now too hateful and heavy to keep around. He imagined her in different places, pushing memories into the sea, letting feeling deliquesce in the night, trying to let old and outmoded abstractions like love appear in her hands so that she could take them apart piece by piece.&lt;/p&gt;
&lt;p&gt;But how do you take back a word that you&amp;#8217;ve already written into the world? How do you let it die?&lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/22642279866</link><guid>http://pleasepunctuatethis.com/post/22642279866</guid><pubDate>Tue, 08 May 2012 00:03:53 -0700</pubDate><category>charles warnke</category></item><item><title>A reader recently dropped this in my inbox, noting that her...</title><description>&lt;img src="http://24.media.tumblr.com/tumblr_m09zkdEwnX1qbjzleo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;A reader recently dropped this in my inbox, noting that her friend “mentioned printing it out and hanging it in his apartment. I did him one better, and made it a poster. I thought maybe you’d like to see it, so here you go.” &lt;/p&gt;
&lt;p&gt;For any of you interested in one of your own, a high-resolution PDF can be found at: http://www.mediafire.com/?cx9wytz8824tsq9&lt;/p&gt;
&lt;p&gt;Thanks &lt;a href="http://beckihyde.tumblr.com"&gt;Becki&lt;/a&gt;.&lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/18619607037</link><guid>http://pleasepunctuatethis.com/post/18619607037</guid><pubDate>Fri, 02 Mar 2012 12:57:00 -0800</pubDate></item><item><title>I have a twitter.</title><description>&lt;p&gt;&lt;a href="https://twitter.com/punctuatethis"&gt;Talk to me.&lt;/a&gt;&lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/18164501211</link><guid>http://pleasepunctuatethis.com/post/18164501211</guid><pubDate>Thu, 23 Feb 2012 18:14:00 -0800</pubDate></item><item><title>Quitting</title><description>&lt;p&gt;That is the fundamental problem with writing: If you want your words to have any life whatsoever they cannot be held onto. Writing is a private thing, and it is hard, but there comes a time when you must stop shielding your words from all of the terrible things the world will say about them and let them out into the air to breathe. &lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/18022644824</link><guid>http://pleasepunctuatethis.com/post/18022644824</guid><pubDate>Tue, 21 Feb 2012 11:55:24 -0800</pubDate></item><item><title>It Accumulates And Accumulates</title><description>&lt;p&gt;Be suspicious of pretty words in pithy phrases.&lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/16514496464</link><guid>http://pleasepunctuatethis.com/post/16514496464</guid><pubDate>Thu, 26 Jan 2012 00:33:45 -0800</pubDate></item><item><title>Differing Degrees of Fine</title><description>&lt;p&gt;&amp;#8220;I have no interest in refining my tastes and affectations. I hope I never become one of those people who is in the business of teaching himself how to like things less. For my part, it would seem to me the greatest gift to be of no educated sensibility whatsoever, to spend the greater portion of my years teaching myself only how to confront my life in a manner that disturbs me the least.&amp;#8221; &lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/16457709231</link><guid>http://pleasepunctuatethis.com/post/16457709231</guid><pubDate>Wed, 25 Jan 2012 00:33:43 -0800</pubDate></item><item><title>Craft Demands Conflict</title><description>&lt;p&gt;There&amp;#8217;s a reason the author is so pessimistic about love: The men he writes about are too capricious and unkind with the hearts of women who love them, the women are the same with their men, and the rarefied pair of star crossed lovers has aligned against them a jealous god, a cruel and contemptuous world, or a universe bent upon their destruction.&lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/14856960585</link><guid>http://pleasepunctuatethis.com/post/14856960585</guid><pubDate>Tue, 27 Dec 2011 02:03:00 -0800</pubDate></item><item><title>Very, very close to being done with a piece of original short fiction taken from a chapter of an in...</title><description>&lt;p&gt;Very, very close to being done with a piece of original short fiction taken from a chapter of an in progress novel. &lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/13571391213</link><guid>http://pleasepunctuatethis.com/post/13571391213</guid><pubDate>Wed, 30 Nov 2011 18:13:59 -0800</pubDate></item><item><title>How many of you out there in the wilderness of the Internet are from the Bay Area? </title><description>&lt;p&gt;How many of you out there in the wilderness of the Internet are from the Bay Area? &lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/12800173640</link><guid>http://pleasepunctuatethis.com/post/12800173640</guid><pubDate>Mon, 14 Nov 2011 12:22:30 -0800</pubDate></item><item><title>Theory</title><description>&lt;p&gt;Part of the challenge of choosing a life of letters is resigning yourself to the fact that your personal tragedies will never appear to you like those of your characters: sublimely articulated, perfectly plotted, and with evident methods of redress. &lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/11680175322</link><guid>http://pleasepunctuatethis.com/post/11680175322</guid><pubDate>Wed, 19 Oct 2011 19:38:54 -0700</pubDate></item><item><title>Remembering Remembering: The Inherent Danger of Giving a Eulogy</title><description>&lt;p&gt;Up on The Atlantic at: &lt;a href="http://www.theatlantic.com/life/archive/2011/10/remembering-remembering-the-inherent-danger-of-giving-a-eulogy/245703/"&gt;http://www.theatlantic.com/life/archive/2011/10/remembering-remembering-the-inherent-danger-of-giving-a-eulogy/245703/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;On September 10 I attended a funeral service for a member of my  family who was a mother of triplets, all aged sixteen. As a part of the  traditional Catholic mass, her two sons, her daughter, and her husband  each devoted a brief eulogy embracing the enduring vitality of love and  esteem for a woman who was the pillar of their family. And as you might  expect, each remembrance was quietly elegant, indemnified by its solemn  poignancy to the hazards of inexperience, shock, and ineloquence. Yet,  as mourners filed slowly out of the church, each pausing briefly to  acknowledge the gravity and incalculable weight of death, I could not  divest myself of a separate sadness that had nothing to do with her  passing, and everything to do with trying to say a few words about the  dead.&lt;/p&gt;
&lt;p&gt;There is a certain indisputable respect owed to those people who  engage the enormous task of paying tribute to the lives of those whom  they have lost. It is a respect owed to them because the monumental  importance of their task looms with little but the prospect of failure.  On the one hand, it is so easy to not say it right, to leave something  out, to fail &amp;#8212; to ultimately succumb to the challenge of condensing the  import, the magnitude of achievement, and the substance of a life into  such a small space. But worse, perhaps, is the chance of success.  Perhaps most terrible is the possibility of saying everything right and  suggesting that that life was of a kind that could be abridged so  easily. Even if we dismiss that inference, it is difficult to avoid the  terrible implication of insignificance imparted to everything  unmentioned at a funeral, to every moment lived by an individual that  didn&amp;#8217;t survive the cutting floor of his or her eulogy.&lt;/p&gt;
&lt;p&gt;I decided to write on remembering the remembrance of September 11  after its tenth anniversary had passed. I made that decision because I  had no desire to critique any effort made to pay respects to the dead.  There is a noble impulse in all tributes to the fallen of September 11  that must go undisturbed and must be beyond reproach; deference to that  impulse must exist apart from criticisms regarding any one memorial&amp;#8217;s  imperfections, or a mention of how easy it is to co-opt tragedy for the  purposes of profit, if we are to preserve the integrity of remembrance  in general.&lt;/p&gt;
&lt;p&gt;But lost amid the flurry of retrospectives and features about 9/11 is  the inclusion of one of the things that made that day so haunting: its  silence. On that day there was an inexplicable terror in the disjoint  between the tremendous roar of each tower coming down and the noiseless  rise of the ensuing smoke; the way that sirens pierced the stillness;  the sound of a landline going dead during a 9-1-1 call made just moments  before collapse. The deafening quiet at the end of the towers&amp;#8217; fall was  perhaps no better represented by the empty chatter that news media was  forced to generate in response. For days on end, broadcast commentary  was juxtaposed with an endless loop of images and video clips of the  towers&amp;#8217; disintegration, often in the same frame. And without fail, words  rarely seemed fit; pundits and journalists lost their place on air and  silence lingered in newsrooms, as if the very sight of such  inconceivable and instantaneous loss was itself an endless void that  sucked the ability to speak down with it.&lt;/p&gt;
&lt;p&gt;Artists, novelists, trauma theorists, and psychologists alike  speculated that September 11 was an event that could not be spoken about  and necessarily existed outside the functions of language. In that  spirit, public gatherings across the country were punctuated by moments  of silence, acknowledgments of the inadequacy of speech in a time of  overwhelming grief and reverence for the expressiveness of life itself.  To murmur, to even attempt to murmur, it seemed, was in many ways to  offend and denigrate the tragic eloquence of steel meeting steel, bodies  leaping from windows, and the composition of a mass grave out of the  materials of a once triumphant financial center &amp;#8212; as if those things  could possibly find a home in words.&lt;/p&gt;
&lt;p&gt;But a decade later the words come more easily. With the slow healing  of a massive wound there has emerged an ability to speak about it with  greater candor, openness, and profundity. In some respects, the ten-year  anniversary of September 11 was observed &amp;#8212; especially in the media &amp;#8212;  by means of an earnest effort to say things with a greater depth of  feeling than anyone else. It was an anniversary seemingly marked by a  contest to say things more insightfully, or artfully, or solemnly than  the next, lest our day of observance be mistaken for a display of  collective appreciation. And at the end of it all it was easily  forgotten how readily our tributes and our eulogies fail us, especially  for an event characterized by the awful scope of its tragedy. Little  deference was paid to whether or not it was wise to try and speak, in a  handful of sentences or paragraphs or pages, for the infinite cruelties  inflicted upon those who never buried friends and family. Few asked if  it was possible to be the voice for each voice lost.&lt;/p&gt;
&lt;p&gt;This isn&amp;#8217;t to say, of course, that there is no value in written or  spoken tributes to the fallen of 9/11. Each offers new entrances into a  place of comfort, and provides novel ways to make peace with or extract  understanding from an apparently unintelligible and meaningless event.  That is the implicit promise made by the in memoriam &amp;#8212; a promise to  compel September 11 to be something that makes more sense and hurts  less. But to search for understanding in words is, in some ways, to  deprive our national recollection of the way in which words didn&amp;#8217;t  suffice and understanding was so evasive. It is an effort at odds with  the immediate aphasia thrust upon onlookers, with the experience of  watching a monstrous and unknown species of fear settle into the fragile  joints of New York, with the wretched muzzle that anxiety and dread put  on spectators, rendered inarticulate as they were forced to watch jet  fuel gnaw through the structural supports of each tower.&lt;/p&gt;
&lt;p&gt;More than anything, though, the clamor to pay the best tribute to  September 11 forgot that, when speeches and turns of phrase fell short  that day, it was often only our private and unspoken languages of  comfort that met with and quelled despair. These were the feelings, a  thousand times more eloquent than words, that led to hope. These were  the inner compromises made with pain that allowed friends to reach out  to friends in need. And these were the interior convictions that  facilitated perseverance. Ten years later it must be said that no one  will ever be faulted for paying public tribute to September 11, and  rightly so. There is nothing unwise in looking for ways to dispel this  persistent sadness. Yet it must also be said that sometimes the most  productive and meaningful sentiments are those that remain our own and  remain unstated.&lt;/p&gt;
&lt;p&gt;Before the funeral service for my cousin, I was asked if I wanted to  share anything. I said no. My tools seemed very futile and feeble and  too often in the noise of remembrance is a forgetting that some of the  most authentic and profound displays of love and respect for those lost  come in moments of silence. To that end I found myself satisfied with  the prospect of finding, in the quiet, a moving on, and a letting go.&lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/10940550920</link><guid>http://pleasepunctuatethis.com/post/10940550920</guid><pubDate>Sun, 02 Oct 2011 10:25:12 -0700</pubDate></item><item><title>An effective strategy for relieving writer’s block (on the...</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_ls6zigWyfu1qbjzleo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;An effective strategy for relieving writer’s block (on the right). &lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/10731494287</link><guid>http://pleasepunctuatethis.com/post/10731494287</guid><pubDate>Tue, 27 Sep 2011 10:35:00 -0700</pubDate></item><item><title>I Have a Few Last Words on KQED</title><description>&lt;p&gt;A reading of &amp;#8220;I Have a Few Last Words&amp;#8221; for KQED&amp;#8217;s The Writer&amp;#8217;s Block:&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.kqed.org/arts/programs/writersblock/episode.jsp?essid=68841"&gt;http://www.kqed.org/arts/programs/writersblock/episode.jsp?essid=68841&lt;/a&gt;&lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/10485332950</link><guid>http://pleasepunctuatethis.com/post/10485332950</guid><pubDate>Wed, 21 Sep 2011 10:46:45 -0700</pubDate></item><item><title>Produced for a reading of “I Have a Few Last Words.”</title><description>&lt;img src="http://25.media.tumblr.com/tumblr_lrl4wrbhf01qbjzleo1_500.jpg"/&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;Produced for a reading of “I Have a Few Last Words.”&lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/10253433208</link><guid>http://pleasepunctuatethis.com/post/10253433208</guid><pubDate>Thu, 15 Sep 2011 15:24:27 -0700</pubDate></item><item><title>Intermission</title><description>&lt;p&gt;Please pardon the intermission. Exciting things are happening.&lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/10179887401</link><guid>http://pleasepunctuatethis.com/post/10179887401</guid><pubDate>Tue, 13 Sep 2011 16:08:17 -0700</pubDate></item><item><title>The Damage to the Furniture in the Living Room </title><description>&lt;p&gt;Always I am coming up with ways to forgive you. And always it comes so easy. I think that is enough evidence of love for me, thank you.&lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/9448163273</link><guid>http://pleasepunctuatethis.com/post/9448163273</guid><pubDate>Sat, 27 Aug 2011 00:11:34 -0700</pubDate></item><item><title>In Transit</title><description>&lt;p&gt;Oh, how fast it becomes time to start again again. &lt;/p&gt;</description><link>http://pleasepunctuatethis.com/post/9327842760</link><guid>http://pleasepunctuatethis.com/post/9327842760</guid><pubDate>Wed, 24 Aug 2011 00:59:49 -0700</pubDate></item></channel></rss>

